Here’s the corrected shot. When we placed an orange gel onto our light, it made our subjects turn orange.
To correct for the warmth of the light, we cooled down the image from 6,000K to 4,300K and adjusted the tint (+11 magenta), which then made everything more blue and balanced out the hue of our subject’s skin tone.
Framework = How to Correct for Creative Color Effects
Here’s how to work through this color shift intuitively. Ask yourself, “What color would I need to add to my subject to correct for the gel?”
Orange Subject
If the light on your subject is orange, we have to cool it down or ADD BLUE to compensate. Blue resides on the opposite side of the color wheel from orange, making them complementary colors. That means everything in the scene will turn more BLUE when we compensate for the orange gel.
Green Subject
What if the light on your subject is green? How would you compensate to get your subjects skin tone back to normal? Add magenta. If your subject is too green, you have to add magenta to shift it back to neutral. This means everything in your scene will shift to extra magenta, adding pink and purple hues to the scene.
Blue Subject
What if the light on your subject is blue? Then you’ll have to add warmth or orange which will make everything in the scene go more orange.
Step 4. Adjust in Post
Make any final adjustments in post and create a composite using the plate shot to arrive at the “corrected” final image.
Now test this creative color effects concept with other gel colors. You can find our final images below, which also use blue and green gels.